EŞQ-İ NUR: Lux Amoris

One of the most important projects of the Nasimi Festival, organized by the Heydar Aliyev Foundation and the Ministry of Culture, is the exhibition “Eshq-i Nur,” created on the initiative of Atəş Hub. This project, prepared under the mentorship of Honored Artist and curator Sabina Shikhlinskaya, as well as with the participation of contemporary Azerbaijani artists and curators, will be presented at the Shirvanshahs’ Palace, one of the rare gems of national architectural heritage. The exhibition aims to carry the poetry and philosophy of Nasimi into new aesthetic dimensions through the multilayered expressive possibilities of contemporary art.

(Amor: in Latin means Sacred Love, Lux: in Latin means Light) Bakhtiyar Ali

This exhibition is a metaphysical journey built around three ideas—love, light, and sign—that reflect the deepest layers of human existence. Love here is not only a romantic or emotional state; rather, it is understood as a spiritual calling, a divine attraction that lies at the foundation of existence. Love creates a direct connection between the human and the universe; it expresses the soul’s need to return to its source. The exhibition recalls this need for transformation—the flame of love burning within a person and drawing them toward infinity—through contemporary thought and poetic language.

This highest form of love transforms, both metaphorically and metaphysically, into light over time. Light becomes a symbol of knowledge, truth, intuition, and spiritual enlightenment. This light is not merely an external glow, but a state of being that burns within us and returns us to ourselves. Light unveils the layers of existence, making the hidden visible, and becomes the external manifestation of the vibration that love creates in the soul. In this sense, light carries both the visible and the invisible.

This process of manifestation ultimately transforms into signs—the hidden language of the universe. A sign here is not a random mark, but a layer of meaning waiting to be understood. Each sign brings us to the threshold of deeper meaning and touches the memory of the soul. By placing these three concepts side by side as a unified metaphysical system, the exhibition invites the participant to listen to the silent language of existence. It is a visual journey that reads the traces of the unseen, speaks through the colors of light, and travels through the geography of the soul.

Third ‘Celestialism’ Cosmic Art Residency Launches to Magmatic Satellite AYTAN

Nanoartist Nargiz Ramiz qızı was invited to take part in the third Celestialism Cosmic Art Residency of the NØVA III project, launched toward AYTAN - a magmatic satellite orbiting exoplanet A0 - 3. During the three-week mission, she lived and worked aboard a capsule-satellite drifting above AYTAN, observing its rivers and oceans of liquefied metals and minerals through a 360-degree panoramic viewport. The residency resulted in a new photographic series combining her nano-scale visual language with the monumental elemental processes of an extraterrestrial world.


13/08/25 17:10 GMT+2
The pioneering cosmic art initiative 'Celestialism' has launched its third residency mission, marking a bold step in the exploration of extraterrestrial environments through artistic practice. This latest mission sent nanoartist Nargiz Ramiz qızı to the outer satellite AYTAN, the fourth from the far end orbiting the exoplanet A0 - 3 — a moon-like body with extreme surface phenomena.

14/08/25 10:20 GMT+2 / Part 1
"AYTAN presents a striking harmony, reminiscent of Earth’s own surface — with rivers, lakes, seas, and vast oceans shaping its landscape. But here, this fluid world is not built on water, but rather on liquefied metals and minerals. Due to extreme temperatures of a different order, elements that are solid on Earth — such as iron, magnesium, and silicates — behave as liquids or gases on AYTAN. This inversion of matter creates a breathtaking environment where metallic rivers flow, vaporized minerals form cloud-like structures, and entire seas shimmer with thermal luminescence. It is a world defined by elemental fluidity, where nature’s architecture is governed by a unique cosmic logic — an otherworldly harmony sculpted by heat, charge, and movement,” described Nargiz.
Over the course of three weeks, she lived and created aboard a capsule-satellite drifted above AYTAN, equipped with a full 360-degree panoramic viewport. From this vantage, she created a new photographic series — one that merges her refined nano-scale visual sensibility with the monumental phenomena of deep space.


17/08/25 12:33 GMT+2 / Part 2
Beyond its artistic value, Ramiz qızı's observations contribute important contextual data for scientists seeking to understand the interactions between AYTAN’s liquid surface and its atmospheric ionization. This dual-purpose mission reinforces Celestialism’s core philosophy: that artistic intuition and scientific investigation can evolve together to interpret the cosmos.
Following previous successful residencies on exoplanet A2 - 4 and the satellite TSOY, this third mission to AYTAN continues to expand the boundaries of extraterrestrial artistic exploration. The 'Celestialism' program remains committed to offering visionary artists the chance to reflect on, and shape, humanity’s evolving relationship with the universe. Slide Movie